Поиск
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Никола де Платтмонтань
Nicolas de Plattemontagne after Philippe de Champaigne
French, 1631 - 1706
The Veil of Saint Veronica,
engraving on laid paper
sheet (trimmed within plate mark): 45.5 x 35.3 cm (17 15/16 x 13 7/8 in.)
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Вацлав Холлар
Wenceslaus Hollar
Bohemian, 1607 - 1677
Dragonfly, Ladybirds, and Butterflies,
etching
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Джеймс Макнейл Уистлер
James McNeill Whistler
American, 1834 - 1903
Conversation under the Statue, Luxembourg Gardens, 1893
lithograph
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Пармиджанино
Artist/Maker(s): Parmigianino (Francesco Mazzola) (Italian, 1503 - 1540)
Culture: Italian
Place(s): Italy (Place created)
Date: 1526
Medium: Pen and brown ink, brush with brown wash, over red chalk, heightened with white gouache incised line separating the two studies at the center of the sheet
Dimensions: 14.9 cm (5 7/8 in.)
Markings: Markings: The marks of the following collectors appear either on the recto of the sheet or on the front of the old (Jonathan Richardson, Sr.) mat Jonathan Richardson (L. 2184) lower left corner William Esdaile (L. 2617, a monogram in brown ink) on the mat, just below the lower right corner of the gilt edging to the drawing Benjamin West (L. 419, a dry stamp) in the lower right corner John Barnard (L. 1419, a monogram in brown ink) on the mat, in the lower right corner of the border. On the other side of the mat, the mark of John Barnard is repeated. Marked in the center, in graphite, the collection mark J.Th.” (L. 1544), i.e. Jonathan Thane and the collection mark of Charles Sackville Bale (L. 640).
Inscriptions: Secondary Inscription: Inscribed on the back side of the mat at the upper right, in brown ink, by John Barnard, “No:720/6 by 5 1/4” inscribed in the center, in graphite, in an unknown, late 19th-century hand, “from the collections of / Richardson / Benjamin West / John Barnard / W. Esdaile / Ch. S. Bale / Parmigianino” also, the notes “Fairfax Murray Coll.” “25.” “cat. no. 106
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Эжен-Станислас-Александр Блери
Eugène Bléry
French, 1805 - 1887
Cottages in Winter, 1840
etching with drypoint and roulette on chine collé
plate: 29.4 x 20.8 cm (11 9/16 x 8 3/16 in.) sheet: 44.5 x 31.5 cm (17 1/2 x 12 3/8 in.)
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Рембрандт
Rembrandt van Rijn and Studio of Rembrandt van Rijn
Dutch, 1606 - 1669
Bust of an Old Woman in a Furred Cloak and Heavy Headdress, 1631
etching
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Луиза Катерина Бреслау
Artist: Louise Catherine Breslau (1856–1927)
Alternative names: Maria Luise Katharina Breslau
German-Swiss painter
Work location: Paris
Depicted people: Ernst Josephson
Title: Ernst Josephson, 1851-1906
Object type: Painting
Description: Despite the exceedingly informal style, Louise Breslau’s portrait of Ernst Josephson nevertheless resembles a role portrait. With his hat and carelessly tied cravat and the spirit glass standing in front of him, he appears to epitomise the Paris bohemian. The portrait is dated 1886 and may have been executed during a visit to the Swedish artist colleague Allan Österlind, who also lived in France and was a friend of Louise Breslau.
Date: 1886
Medium: Oil on canvas
Dimensions: Height: 81.2 cm (32 in). Width: 65.5 cm (25.8 in).
Framed: Height: 94.5 cm (37.2 in). Width: 79 cm (31.1 in). Depth: 5 cm (2 in).
Gripsholm Castle
Inscriptions (Swedish): Signerad: L. C. Breslau 1886
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Хендрик ван Бален (I)
Artist: Hendrick van Balen the Elder (1573–1632)
Alternative names: Hendrik van Baelen, Hendrik van Balen, Hendrik van Bael, Hendrik van Bale
Flemish painter and draughtsman
Work location: Antwerp (1592-1603), Venice (....-1602), Rome (....-1602), Antwerp (1613-1632)
Workshop of Jan Brueghel the Elder (1568–1625)
Alternative names: Jan Brueghel the Elder, Jan Bruegel (I), Velvet Brueghel
Flemish painter, draughtsman and printmaker
Work period: from 1578 until 1625
Work location: Antwerp (1578), Italy (1589–1596), Naples (1590), Rome (1592–1594), Milan (1595–1596), Antwerp (1596–1625), Prague (1604), Brussels (1606–1613), Northern Netherlands (1613)
Title: Bathseba in the Bath Receiving the Letter from King David
Date: Unknown date
Medium: OIl on wood
Dimensions: Height: 49 cm (19.3 in). Width: 63 cm (24.8 in).
Framed: Height: 63 cm (24.8 in). Width: 77 cm (30.3 in). Depth: 5 cm (2 in).
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Андерс Леонард Цорн
Artist: Anders Zorn (1860–1920)
Alternative names: Anders Leonard Zorn
Swedish painter
Title: Coquelin Cadet
Object type: Painting
Description: In 1889, Anders Zorn and his wife Emma rented a flat with a studio in Montmartre – which became their permanent address for eight years. Zorn quickly established himself in Paris, largely thanks to personal contacts in the Parisian cultural elite, including the actor Coquelin Cadet (1848–1909). Cadet was famous mainly for his monologues. He was also an avid art collector. Zorn portrayed him in his professional role – on stage before an audience. The sculpture in the background can be seen as a reference to his interest in art.
Date: 1889
Medium: Oil on canvas
Dimensions: Height: 116.5 cm (45.9 in). Width: 81.5 cm (32.1 in).
Framed: Height: 133 cm (52.4 in). Width: 94 cm (37 in). Depth: 8 cm (3.1 in).
Inscriptions (Swedish): Signerad: Zorn 1889
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Франсуа Шеро (I)
François Chereau I after Hyacinthe Rigaud
French, 1680 - 1729
Cardinal de Polignac, 1729
engraving
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